parallax

PARALLAX: A CHANGE OF POINT OF VIEW   <

2018.08, The Oslo School of Architecture and Design


In the confrontation of two closely linked perspectives can a neutral or common ground be discovered? – a liminal state or structure

What kinds of structures, common language or shared ground can exist to mediate perhaps antinomous points of view?


Conceptual and physical positions in art and architecture:

Hold Your Own, Kate Tempest

Venus Transit, Wolfgang Tillmans

The Parallax View, Slavoj Zizek

Field Party, Keio Univ. Sejima Lab. + Ryue Nishizawa + Takashi Homma

Serpentine Pavillion 2015, selgascano

Shadow is the Queen of Colour, Marthe Elise Stramrud

Abstract Pictures, Wolfgang Tillmans

Sites Unseen, Trevor Paglen

Whitney Museum of American Art, Renzo Piano

New Museum, Sejima + Nishizawa/SANAA + Gensler

Grace Farms Foundation, Sejima + Nishizawa/SANAA

Sumida Hokusai Museum, Kazuyo Sejima / 36 Views of Mount Fuji, Katsushika Hokusai

Shibaura House, Kazuyo Sejima & Associates

Kahitsukan / Kyoto Museum of Contemporary Art

Ryoan-ji

Teshima Art Museum, Ryue Nishizawa + Rei Naito

S Art House, Kazuyo Sejima, Yuko Hasegawa + Haruka Kojin

Quay Street House, own work

Bukkekjerka, Morfeus AS

Nordtvedt Gård Barnehage, Morfeus AS

Fine Thanks!, Kate Tempest


New Museum, Sejima + Nishizawa/SANAA + Gensler


Photographs by Matthew Anderson