〔 kind architecture 〕
NOVELTY: PART 1, RECURRENCE OR RECOMBINATION <-
2018.01, The Oslo School of Architecture and Design
Drawing on Novelty: A history of the new, by Michael North, a consideration on historical and philosophical attempts at defining the NEW, and the
openness that the term NOVELTY conjures.
To alter. To remain. To repeat. To substitute. Originality. Autonomy.
Recurrence. Recombination.
NOVELTY.
Can the quality of not having been before be perceived in something (in a place, or a work of architecture)?
Is the familiar really necessary, in the places we inhabit and dwell?
What of the NEW lives on, as something identifiable or describable?
What, of our material - the city, the dwelling – is recurring, recombining?
Conceptual and physical positions in art and architecture:
Donald Judd
Trond Solberg
Asnago + Vender
Ryue Nishizawa + Rei Naito
Kazuyo Sejima
Olve Sande
Junya Ishigami
Lacaton + Vassal
Beijing
Wood Marsh
The Queensland House
Hiroshi Nakao
selgascano
Rudolph Schindler
Kathleen Pettyare
Terunobu Fujimori
Concorde, Wolfgang Tillmans
Nest or Cave, Sou Fujimoto
Before House, City and Forest, Sou Fujimoto
To Live: between earth and sky, drawing on own translations of Mellom Jord og Himmel (Between Earth and Sky), by Christian Norberg-Schulz
Kazuyo Sejima
Beijing
selgascano
Rudolph Schindler
Photographs by Matthew Anderson